• Full system control with independent tuning across 8 output channels
  
• High-resolution 32-bit / 96kHz processing for accurate signal handling
  
• Advanced crossover options enable proper active system design
  
• Time alignment and EQ allow precise staging and tonal balance
  
• Compact, coated design suited for harsh environments and tight installs

• Channels: 4 input / 8 output
  
• Inputs: 4 RCA (balanced)
  
• Outputs: 8 RCA
  
• Max input level: 4Vrms (+14dBu)
  
• Max output level: 3.5Vrms (+13dBu)
  
• Input impedance: 100KΩ
  
• Frequency response: 10 Hz – 24 kHz (-1dB)
  
• THD+N: <0.01%
  
• Bit rate: 32-bit
  
• Sampling frequency: 96 kHz
  
• Crossover types: Linkwitz-Riley / Butterworth / Bessel (up to 48dB/oct)
• Input EQ: 15-band
  
• Output EQ: 8-band per channel (Q: 0.6 – 0.99)
  
• Time alignment: 0 – 18.95 ms
  
• Limiter threshold: -54 to +6 dB
  
• Attack time: 1 – 200 ms
  
• Release time: 1 – 988 ms
  
• Phase control: Yes
  
• Presets: 3
  
• Protection: Conformal coated PCB
  
• Control: Smartphone tuning
  
• Dimensions: 150 x 109 x 43 mm

• Fully active front stage systems
  
• Motorcycle, off-road, and space-constrained installs
  
• OEM integration builds requiring signal correction
  
• Users aiming for precise tuning and system optimisation
  
• Installers building SQ-focused or hybrid SPL/SQ systems

DSP is what separates a good system from a properly tuned one. This gives you the control needed to actually shape the system, not just power it, especially in installs where acoustics are working against you.